![]() The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression Maddie, a self-sacrificing white cheerleader with a heart of gold and Aarti, his Indian-American love interest who offers connection. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. Readers will guess more than he does, though most confirmation waits for the next installment-this ends on a cliffhanger.įast-moving and intriguing though inconsistent on multiple fronts.Ī teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas. Emmett’s first-person voice is immediate and innocent: he realizes that Babel’s ruthless and coldblooded but doesn’t apply that to his understanding of what’s really going on. Textual descriptions can be scanty however, copious action and a reality TV atmosphere (the scoreboard shows regularly) make the pace flow. Awkward moments in the smattering of black vernacular are rare. Emmett's initial understanding of his own blackness may throw readers off, but a black protagonist in outer space is welcome. It even forms language-translating facemasks, allowing Emmett, a black boy from Detroit, to communicate with competitors from other countries. They head through space toward the planet Eden, where they’ll mine a substance called nyxia, “the new black gold.” En route, the corporation forces them into brutal competition with one another-fighting, running through violent virtual reality racecourses, and manipulating nyxia, which can become almost anything. Surely it’s the jackpot: they’ll each receive $50,000 every month for life, and Emmett’s mother will get a kidney transplant, otherwise impossible for poor people. When Babel Communications invites 10 teens to participate in “the most serious space exploration known to mankind,” Emmett signs on. Kids endure rigorous competition aboard a spaceship. It’s a satisfying one, though, and it rises above the genre via gritty language and secondary characters with lives of their own. The trope of the underdog who survives and wins a better future due to kindness in the world and in his heart is fairly standard fare, and this is no exception. ![]() ![]() A surplus of action keeps the plot moving forward and obscures questions of logic that might emerge if readers had an opportunity to stop and think. Some of the survival techniques he uses are both unlawful and unlikely, but Digger’s strong narrative voice and the basic decency beneath his stupidity help readers overcome these flaws. He develops a whole new persona as Gerry, the baby sitter for a kid with reading difficulties and a gambling father, and gets a job as a stable hand for a nearby horse-rescue farm. ![]() Though seemingly anxious for their safety, Digger is derailed surprisingly easily once on the outside, as he tries to evade authorities and fend for himself as best he can. Introduced as the culprit in a prank gone wrong in Red Kayak (2004), Digger is angry yet determined to help his mother and siblings, who have long been abused by his father. Sentenced to a juvenile detention camp and eager to escape, Digger has a plan that sends him on a journey that is both a survival story and a lesson in trust. ![]()
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